For Lydia Treats, heading for World of Wonders sideshow tour, “I was always the weirdo”

Lydia Treats

Sideshow performer Lydia Treats of Covington Cabaret.

Step right up, folks, and catch the daring Lydia Treats this weekend! Watch her eat fire! Watch her swallow swords! Watch her pound nails up her nose! All before she pulls a disappearing act and fulfills a childhood dream.

The performer will host her regular “Covington Cabaret” show Friday (April 15) at the Green Room in downtown Covington and then perform at the weekly “Talk to Nerdy to Me” show with The Society of Sin on Saturday (April 16) at the Dragon’s Den, and then she’s off to join the carnival.

Looking back, it was only a matter of time before she would run off to Ward Hall’s famed World of Wonders in Gibsonton, Fla., for a national sideshow tour. She remembers, as a kid growing up in New Orleans, watching old film reels of the legendary early 20th century sword swallower Edith Clifford. Her favorite “X-Files” episode is Season 2’s “Humbug” (1995), the one set in a carny town in Florida and featuring such real-life sideshow stars as Jim Rose and the Enigma.

“I was always the weirdo,” she recalled, adding that she was “even surrounded by other weirdos.” This was when, as a young woman, she’d hang out in Fat City at Cypress Hall or later in Metairie at Zeppelins. By the time she’d graduated at NOCCA back in 2000, New Orleans was becoming a popular tour stop for sideshow performers such as Jim Rose, Blockhead, Eric Odditorium and other performers.

“All of the old sideshow working acts fascinated me,” she said. “In fact, the ones that freaked me out the most were the ones I had to learn and pick apart and perform. Blockhead used to make me want to hork. Sword swallowing terrified me. It still does.

“I had a dream a few years ago where I performed it, and it was the same as dreaming of having a fountain Coke. I had to have it. The ‘fountain Coke’ thing happens to me a lot.”

It also happened with booze. Not long after graduating from NOCCA, as a growing desire to perform kicked in, she found herself pregnant, and working a dreary job at a corporate medical company while trying to be, in her mind, someone else’s version of herself. “I crawled into a bottle every night,” she recalled, and quickly graduated from beer to liquor, going into and out of treatment. This was in 2012.

Then, suddenly, something clicked. Even though she’d left Odyssey House due to a relapse, she started to focus on her recovery, and sought treatment at Townsend in Metairie. Within a month, she got up onstage, serving as a stage kitten for the Rev. Spooky LeStrange’s Billion Dollar Baby Dolls’ annual “Banned Books” burlesque show.

Around this same time, she recalls, she started taking classes at Bella Blue’s New Orleans School of Burlesque, and met performer Remy Dee at a club, which led to the “Banned Books” gig.

Getting into performing at any club became instantly problematic for a recovering alcoholic, as she learned soon after offering to help out on the Baby Dolls’ next show, “The Night Circus Burlesque Show” at Siberia. Glancing at all the beer taps and the bar against the wall, she panicked.

“I was like, ‘Oh my God, I am in a bar! What do I do?!” she recalled saying to herself. “Because the institutionalized side of me instantly went to ‘If you hang out in a barber shop long enough, you’re bound to get a haircut.’ So I freaked out and texted my sponsor. ‘I’m in a bar.’ ‘Are you drinking?’ ‘No. I am drinking a Monster (energy drink). At a bar!’ ‘Ok, just don’t pick up (a drink).’

“It was a simple program for complicated people,” she explained. “That’s when I learned it isn’t that guy or that girl or that non-binary person’s disease, much less the entire city of New Orleans. It it is my disease, and that if I refrain from picking up, I don’t get loaded.”

Soon after, Lydia Treats the sideshow performer evolved, especially after befriending local performer Sideshow Matt, who helped introduce her to classic sideshow acts including fire eating and sword swallowing — the latter of which, obviously, required intense concentration. Now more than ever, booze was out of the question, and after having been sober for several months, she felt ready to give it a try.

It didn’t “take” at first — it rarely does, she noted, given the often painstaking process of getting over a gag reflex.

“I’d started a couple years ago and was making no progress,” she said. “It wasn’t until after I moved to the Northshore that I found my coat hanger and said, ‘What the hell?’ and started trying again. It went down! Past my throat! For the first time ever! I think I made a little more progress each month — top of chest, cardiac sphincter, solar plexus, into stomach.” As late as last year, though, she still suffered the same potential pitfall of every performer when she had to visit the emergency room after suffering a perforated esophagus.

Her well-received debut sword-swallowing performance in The Society of Sin’s “Pulp Science Fiction” show, in front of 400 people, in 2015 further confirmed she was on the right track with her career. The itch to perform onstage that had emerged at NOCCA finally was getting just the right scratch for the weirdo, who along the way had her tongue split and often wears kooky contact lens for an added weirdo effect.

She can’t put a finger on one particular reason for the thrill of these performances — whether it’s the simple ability to do it, the ability to shock the audience, or simply for audience approval.

“All of that,” replied Treats, who was voted among the five most popular sideshow performers in New Orleans in my 2015 poll. “The fact that it can kill me at any time. The rapport I share with other sword swallowers. The long history it has. Being a sword swallower, I feel connected to the pioneers of the art as well as the rock stars who perform it today.”

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Lydia Treats performs. (Photo by Bob Moose Kustra)

Over the years she’s performed regularly in nerdlesque shows with The Society of Sin (including “Talk Nerdy to Me”) and with Remy Dee (“Nightmare Before Christmas Burlesque”) along with performances at BUKU Music + Art Project and House of Shock.

She’s cultivated her own act but also as that of a producer by starting up the “Covington Cabaret” show in 2015, which she says has played to standing-room-only crowds thirsty for something different on the Northshore. She’s invited several of her New Orleans burlesque friends to come perform, including Bella Blue, as well as Xena Zeit-Geist bringing the “Vice Is Right” burlesque game show to the Green Room.

“The Covington show has been going amazingly, much better than I anticipated before getting it started,” she said. “It has a great support network and a lot of locals in the community have become regulars, I’ve gone on the radio over there twice with a sort of open invitation to go over and do the radio spot whenever I wanted because it’s been fun.”

Friday’s show will feature comedian (and regular) Corey Mack, Lolly Gagger, Ri Dickulous and Tsarina Hellfire.

The 34-year-old has done all this while raising two children — a daughter, 14, and a son, 11 — both of whom have shown the kid of creative spirit their mom hopes to cultivate.

Performing alongside the World of Wonders sideshow artists will not only give her a chance to showcase her work with other peers, but will fulfill a childhood fantasy stoked early on by peeping at those early Edith Clifford videos.

“I have wanted to run away and join the carnival since I was a little kid,” she confessed. “This was a dream come true to be hired by them — to work with living legends of the sideshow, to actually travel, build the banner lines, the tents, sleep in the bunkhouse.”

After all these years, Lydia Treats feels comfortable in her own skin — onstage, as a weirdo, offering a little shock and awe to her audiences. Beats office work.

Fly Movement Salon hosts benefit show Dec. 1 for Clay Mazing’s work with Syrian refugees

Each month, New Orleans’ top circus and variety performers get together and showcase their latest works at the Fly Movement Salon over at Café Istanbul. But next week they’ll get a chance to showcase their work while supporting the very timely work of a fellow performer helping Syrian refugees.

Clay Mazing, known to some for his work at Cirque du Gras (which I covered here for NOLA.com) has taken his initial project work with the nonprofit group Clowns Without Borders in Greece and is continuing to perform with Syrian refugees as they continue on their journey. Right now he’s in Macedonia. And because now he’s supporting himself on the journey — working with his own troupe, the Emergency Circus — he needs some help, and his friends back in New Orleans are ready to go.

The next Fly Movement Salon, which will be held Tuesday (Dec. 1) at Café Istanbul, will feature performances by co-organizer Liza Rose (who I’ve also covered here) paired with Sarah Stardust, as well as David Chervony, Emily Chervony, Sami Smog and Golden Delicious, Penelope Little, and more to be announced soon.

Molly Levine, the director of the New York-based Clowns Without Borders, performed with Clay Mazing and a couple others during their project trip to the Greek island of Lesbos, which included 32 shows over 16 days for Syrian refugees who have already endured major hardship.

“If I could say one thing to my close friends, that I wish people would understand, is the sheer enormity of tis crisis,” Levine said. “The people who are arrive in Greece, these are middle-class people, they’re children, they’re old people, their families, and they’re coming knowing this is a dangerous trip for them. The choice for them in taking this trip often is between dying and maybe dying, and so they chose maybe dying, so they chose these trips.”

For Clay Mazing, it’s been an emotional and fulfilling journey.

“I feel so blessed to be following my dreams out here,” he said via message. “It’s obvious that people need this kind of empathy out here. When someone is starving and you offer an apple they take it hungrily. The same is true for people starving for joy. Some of these people (not just children) haven’t laughed in days because they are constantly moving through boats, tents, trains, and busses without knowing what’s next.

“It’s really this focused attention we give to them that they appreciate. The Red Cross and others give them blankets and tea but we provide some simple relief from the constant stress,” he continued. “And we all make instant friends. Tonight we all laughed and played music and danced around the fire. These friends are so damn full of love it’s insane. I don’t know how they keep it up honestly after being treated like cattle they offer their cookies and blankets to us.

“I’ve had so so many heartfelt hugs and deep eye contact thank-yous. There’s too much to say.”

(It should also be noted that Moniek de Leeuw of the Balcony Players also is performing, on violin, with Clay Mazing.)

(Related: Follow Clowns Without Borders’ project here)

Fly Movement Salon co-organizer Liza Rose has worked with Clay Mazing on several productions and sees him as a perfect fit for this kind of work.

“He is a delightful raconteur, a shameless ladies man, the penultimate poster boy for the Peter Pan complex … And he has, without a doubt, the shiniest heart of gold you’ll ever meet,” she said. “When he’s here, he spends a lot of his time arranging and performing shows for kids in hospitals, folks in nursing homes, at special needs schools, and wherever else it’s needed. As a sometimes guest performer with the Emergency Circus, I can tell you that it’s a special kind of thrill to bounce up in the Sh’zambulance (when stateside, the EC travels in a converted ambulance) and hear Clay on the megaphone saying, ‘It’s an Emergency Circus!'”

As for Clay Mazing’s work, Levine said, “He’s is a very special performer. He’s also really versatile. If you’re in New Orleans you’re probably seeing more of the edgy Clay Mazing, the cowboy who’s cracking his whip, and with the flaming shotguns. It’s fun crazy stuff.

“And when he is doing the Clowns Without Borders shows, he’s in character, but as a really child-friendly clown. He does comedy,” Levine added. “He does slapstick. He loves to perform with the charango (a lute-like string instrument). The reason that Clay is the best performer to be doing this tour for the refugees he’s performing for is because, when he’s going, he never stops. If there’s a kid nearby, he’s always on. We’ll do two, three, four shows in the morning and be wiped out and will be going to lunch, but if he sees some children, those fake teeth will come on, and he’s performing again.”

Liza Rose echoed those sentiments: “He is doing what we all wish we could do, what we all think about briefly right before we think, ‘… but what about all this other stuff that will be hard and all the things I have to give up…?’ Clay’s not thinking about that. He’s living in the moment and using his talents to make a real change in the world, human to human. He should be a national fucking ambassador.”

Visit the Fly Movement Salon’s Facebook event page for more info.