PODCAST: NOMA’s Vanessa Schmid explains “A City That Lives on Water,” one of the four components of “A Life of Seduction: Venice in the 1700s”

This slideshow requires JavaScript.

“A LIFE IN SEDUCTION: VENICE IN THE 1700S”
WHAT: Exhibition of costume, glass, handbags, masks, a puppet theater, and exquisite paintings by Canaletto, Guardi, Longhi and others from one of the centers of Western art
WHEN: Feb. 16-May 21, 2017
WHERE: New Orleans Museum of Art
MORE INFO: Check out the event page

Before the press preview of the new exhibition by the New Orleans Museum of Art, “A Life of Seduction: Venice in the 1700s,” I got a chance to sit down with the woman who put it all together. Vanessa Schmid, the Senior Research Curator for European Art, focused on one of the four components of the exhibition, “A City That Lives on Water,” which I thought was a nice connection to New Orleans (though you will find there are others in this amazing collection).

Schmid discusses some of the examples that fit into the water theme, although one image that particularly resonates with her — “The Redentore Procession,” oil on canvas, by Joseph Heintz, The Younger — is elsewhere in the exhibition. (It is an amazing piece; check it out in the gallery above.)

I will have more both on the exhibition (which opens Friday and runs through May 21), and will welcome Schmid as a guest on the next episode of “PopSmart NOLA” on Saturday (3 p.m.-4 p.m.) on WHIV (102.3 FM). You also can read an essay by Schmid about the exhibition in the the NOMA Arts Quarterly publication.

The exhibition is guest-curated by the former director of the Civic Museums of Venice, Giandomenico Romanelli. Check out the array of programming planned, including lectures, films and festivities, around the exhibition.

“PopSmart NOLA” on WHIV (102.3 FM), Ep. 4: Susan Todd, Don Vappie, Lydia Treats, Alex Rawls, Trixie Minx and Katie East & Caitlin Brodnick on the Affordable Care Act

This slideshow requires JavaScript.

For Episode 4 of “PopSmart NOLA” on WHIV (102.3 FM), which airs Saturday from 3 p.m. to 4 p.m., we addressed the Affordable Care Act and New Orleans. The nation experienced a seismic political shift a couple weeks ago with the election of businessman Donald Trump, who said, among many, many other things, that he would oversee the repeal and replacement of the Affordable Care Act, also known as Obamacare. Since his election, on “60 Minutes,” he offered a different take on his position, saying that some parts of the law — requiring insurers to cover people with preexisting medical conditions, allowing children to stay on their parents’ plans until age 26 — might remain intact. But Trump could still eliminate key parts of the ACA, which gave health insurance to 20 million Americans. Supporters are faced with a battle regardless, and their biggest argument might well be that the rising cost of premiums is a fixable problem and not the disaster critics say it is.

The ACA affects New Orleans in at least two distinct and often overlapping ways — the city and state have more than their fare share of residents living at or below the poverty level, as well as many, many culture bearers and creative artists who contribute so much to the community and get paid very little. Health care coverage is everything. Remember, the ACA had been in effect for only a couple years when Louisiana Gov. John Bel Edwards, in January, reversed the Jindal administrations stance and agreed to accept the federal government’s offer to expand Medicaid coverage and thereby helping hundreds of thousands of residents.

So on the show we heard from several people, some in pre-recorded interviews, to offer a diversity of perspectives on how this new world might affect them:

Susan Todd, executive director of 504HealthNet, a collaboration of 22 non-profit and governmental organizations in the Greater New Orleans area that form the primary care and behavioral health safety net.
Don Vappie, a beloved figure in the New Orleans jazz community as a musician and educator.
Lydia Treats, a circus sideshow performer who also is the mother two children – a teenage girl and pre-teen boy — and who also produces “Covington Cabaret” which returns tonight to the Northshore.
Comedians Katie East and Caitlin Broadnick, whose comedy show “Victory for T&A!” tonight at The Theatre St. Claude takes a humorous and revealing look at their respect battles with cancer.

SUSAN TODD
To get a brief overview of what’s been happening with the Affordable Care Act, we turn to Susan Todd, executive director of 504HealthNet. She brings a unique blend of expertise in the area of primary care access and strengthening health systems in addition to a passion for community involvement. She has worked with the U.S. Department of Health and Human Services (HHS) in the Office of the Assistant Secretary for Planning and Evaluation (ASPE). While there, she worked on Medicaid, CHIP, and Marketplace enrollment. I asked Susan Todd to take us from the implementation of the Affordable Care Act back in 2014 and how it has evolved under the John Bel Edwards administration, and where she thinks it might be headed.

don-vappie-bw

Don Vappie

DON VAPPIE
Don Vappie is a world-renowned jazz musician and presenter from New Orleans. He leads the Creole Jazz Serenaders, a classic New Orleans jazz orchestra, as well as his various jazz and R&B combos. He has produced and recorded numerous CDs and film sound tracks and is star of the PBS documentary “American Creole: New Orleans Reunion.” Known for his virtuosic banjo skills, Don is a stellar bassist, guitarist and vocalist. Add to that his commitment to the cultural creole music of New Orleans he calls “creole jazz”. As an educator, he has participated, presented and/or performed for programs at Jazz at Lincoln Center, Carnegie Hall, Tulane University, Historic New Orleans Collection, NPR, Smithsonian, Appalachian State University and many more. He currently serves as jazz guitar instructor at Loyola University and is a member of the Loyola Jazz Faculty Combo.CUE: Queen/David Bowie, “Under Pressure”

lydia-treats

Lydia Treats

LYDIA TREATS
I wanted to get an impression of what it’s like for local performing artists, and so I contacted circus sideshow producer and performer Lydia Treats, who literally ran away with the circus for several months this past year. Among her many talents, Lydia Treats is a sword swallower – perhaps the most popular in the city, and she’s gaining larger audiences with her “Covington Cabaret” show that returns tonight to the Green Room in Covington. I asked her to give me a sense of what it’s like to deal with health care coverage, especially while raising two children as a single mother, and here’s what she had to say.

katie-caitlin

Katie East & Caitlin Brodnick

KATIE EAST AND CAITLIN BRODNICK
We also welcomed a decidedly defiant dynamic duo, New Orleans’ Katie East and New York City’s Caitlin Brodnick. They have decided not to take their respective battles with cancer sitting down. In fact, they have no problem name-checking the sources of their illness in their comedy show “Victory for T&A” tonight at The Theatre at St. Claude. Faced with a history in her family of breast cancer, Brodnick boldly decided to opt for a preventative double mastectomy in her 20s — and even had Glamour document the experience on a web series, “Screw You Cancer.” East has been beset by a range of illnesses and more hardship, including bad surgical experiences and the discovery of cancer in her buttocks — hence the “T&A” of the title. And so she has turned her experiences into what she’s calling a “Coney Island-style freak show.”

alex-rawls

Alex Rawls

BONUS CONTENT: ALEX RAWLS
I wanted a journalist’s perspective, and spoke with Alex Rawls. Alex Rawls has covered music, art, books and food in New Orleans since 1990. His work has appeared in NOLA.com/The Times-Picayune, The New Orleans Advocate, Gambit and OffBeat, and multiple national outlets. He’s also the creator of the music and culture website My Spilt Milk, so I asked him for his take on the scene as it relates to health care.

BONUS CONTENT: TRIXIE MINX
I also interviewed New Orleans burlesque producer and performer Trixie Minx earlier in 2016 to discuss her work with the New Orleans Musicians Clinic. Here’s the podcast.

PLAYLIST:
Chris Rock, “Robitussin”
Deluxx Folk Implosion, “I’m Just a Bill”
Don Vappie, “Please Come Home for Christmas”
The Ramones, “I Wanna Be Sedated”
B-52s, “Follow Your Bliss”

Tune in for our next show, next Saturday, Nov. 26, 3-4 p.m. for another edition of “PopSmart NOLA.” We will be discussing, among other topics, sexual harassment and sexual assault issues for local performers.

Also want to remind everyone if you like what you’re hearing you can “like” PopSmart NOLA on Facebook and follow me on Instagram at @popsmartnola and on Twitter at @dlsnola504.

Remember: Keep the intelligent discussion of New Orleans culture going.

“PopSmart NOLA” on WHIV (102.3 FM): Let’s start a discussion together

 

This slideshow requires JavaScript.

About a year ago, I launched PopSmart NOLA as a website dedicated to intelligent coverage of New Orleans culture. It might have sounded like a pretentious line at the time but over the past year I at least hope the site has added to the conversation about the arts, culture and entertainment of the Crescent City. The first post was an impression of my first experience with the New Orleans Volunteer Orchestra, the second a review of Cecile Monteyne’s excellent “You Don’t Know the Half of It,” followed by a kooky preview of The NOLA Project’s “Clown Bar,” and then an open question about how to talk to my son about racism in movies.

The feedback has been great, and from time to time it even appears to have started a discussion.

Now, with WHIV’s help, I’d like to make that discussion more literal. On Saturday, I will premiere the radio version of “PopSmart NOLA” as way to bring in and engage the cultural figures of our city to talk about the work they do and help place it in a more focused context with the rest of what’s happening around us. Many of these people will be familiar to lots of listeners, and many will come from my years as an arts journalist at Gambit Weekly (back when it was called Gambit Weekly, my too-brief tenure at NOLA.com | The Times-Picayune, and subsequent work as a freelance journalist (the New Orleans Advocate, Biz New Orleans and New Orleans magazine, to name a few) – and of course, good old PopSmart NOLA.

To be fair, there’s a lot of good arts journalism being done around New Orleans; it’s just become a bit spread out and around. And it’s a constantly shifting landscape — I found that out the hard way last fall, but even more recently we’ve seen the hiatus of the NOLA Defender, or even the tragic loss of NOLA Vie’s Sharon Litwin. On the positive side, we’ve witnessed the emergence of WWNO’s “Inside the Arts” coverage with Diane Mack, who’s been kind enough to accept my pleas to discuss my work on her show, and both newspapers seem to have adjusted to life after the shakeup of last year. And then there’s NOLA Vie, Alex Rawls’ excellent music site “My Spilt Milk,” and the continued good work being done at OffBeat and Gambit, to name a few.

But yet, there’s still more to cover, and even more to talk about. We’ll start the discussion on Saturday (Oct. 29), from 3 p.m. to p.m. on WHIV-FM (102.3) — community radio dedicated to human rights, social justice, and the end of all wars. Our guests: James Bartelle and Beau Bratcher — the star and director of The NOLA Project’s “4000 Miles” — Jim Fitzmorris (with his latest show, “Things That Go Trump in the Night”) and comedy from The New Movement’s “The Megaphone Show.” You also can listen online at whivfm.org.

The inspiration for “PopSmart NOLA” the radio show are many, and not just the website. There’s also my favorite culture podcast, “The Dinner Party Download,” which structures amazing entertainment coverage around the concept of a party (complete with music, small talk, plenty of food, and a crafty cocktail). I’m also inspired by NPR’s “Pop Culture Happy Hour,” as well as Slate’s “Culture Gabfest” and (perhaps a bit tangentially, Slate’s excellent sports podcast “Hang Up and Listen.” If you see resemblances of these shows in “PopSmart NOLA,” I hope will be in the form of imitation being the sincerest form of flattery.

We’ll have lots of guests, occasional co-hosts, look back at the week in culture, and look ahead to what’s on the horizon. And we’ll have lots of music (live and recorded) — hopefully timed to the performances of the week — and plenty of active engagement with our listeners (especially on social media). On that note, you can like PopSmart NOLA on Facebook, and follow me on Instagram (@popsmartnola) and Twitter (@dlsnola). If you’d like to make a comment or ask questions while the show’s going on, I’ll do my best to answer in real time, but definitely ASAP. I want this to be much, much more than a one-sided conversation. As with all things New Orleans, we know that everyone’s got a story to tell.

I hope to apply some of the lessons learned from previous experiences in radio, which include serving as an arts contributor to WABE, the NPR affiliate in Atlanta, as well as appearances on New Orleans television shows including John McConnell’s “The Spudcast.”

If you’d like to suggest an idea for a show, or come on as a guest, or would like to serve as an underwriter for the show, please email me at dlsnola@gmail.com, and I’ll response in as timely a fashion as possible.

Until then, please listen in, and join us in the discussion.

 

 

 

PopSmart NOLA: Trixie Minx on giving back, with krewedelusion, to New Orleans Musicians’ Clinic

As one of New Orleans’ most popular burlesque producer-performers, Trixie Minx has been able to attain a special level of celebrity. We saw that most evident this year, when she was named Empress of the Insane for the Mardi Gras group krewedelusion, or even when she was recruited to be a celebrity judge during NOLA.com’s chicken-tasting competition.

With an engaging personality, she’s been able to leverage that celebrity to help others, most notably for her work (as empress) with the New Orleans Musicians’ Clinic (NOMC), whose mission is to get affordable, comprehensive health care for vast community of New Orleans musicians. This will include Splish Splash,” a party on Thursday, Dec. 3, at One Eyed Jacks. The party will feature DJ Rusty Lazer and Mermaids of Splish. There will be game booths, silent auction and, ahem, fish-kissing, all in service of the New Orleans Musicians’ Clinic. (Laurie Herbert has been helping as a liaison between Trixie Minx and NOMC.) Members also can sign up for Musicians’ Clinic benefits. There will be a $10 cover for the 7 p.m. event; that cover also gets folks into the ’80s night dance party later that evening.

Minx’s monthly Fleur de Tease production returns for a Thanksgiving-themed show, Burlesque Banquet,” on Sunday (Nov. 22) — with canned donations accepted for the Second Harvest Food Bank. (Performers will bring canned good to donate as well.) Presented by Trashy Diva and emceed by Chris Lane, performers include Ooops the Clown, Roxie LeRouge, Nikki Frisky, Madame Mystere, Natasha Fiore, Piper Marie, Mamie Dame and special guest performer Angela Eve of Chicago. Tickets are $25 for VIP reserved table seating, $15 general admission. For more info email info@fleurdetease.com, call 504.319.8917, or visit www.fleurdetease.com.

This isn’t the only way Trixie Minx gives back; she also noted in a recent podcast interview that she donates a free VIP table to a non-profit for each of her shows — usually by way of an auction item or raffle ticket. Enjoy debut of my new podcast, “PopSmart NOLA,” below, but also the photo gallery from last month’s Fleur de Tease Halloween show.