PODCAST: NOMA’s Vanessa Schmid explains “A City That Lives on Water,” one of the four components of “A Life of Seduction: Venice in the 1700s”

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“A LIFE IN SEDUCTION: VENICE IN THE 1700S”
WHAT: Exhibition of costume, glass, handbags, masks, a puppet theater, and exquisite paintings by Canaletto, Guardi, Longhi and others from one of the centers of Western art
WHEN: Feb. 16-May 21, 2017
WHERE: New Orleans Museum of Art
MORE INFO: Check out the event page

Before the press preview of the new exhibition by the New Orleans Museum of Art, “A Life of Seduction: Venice in the 1700s,” I got a chance to sit down with the woman who put it all together. Vanessa Schmid, the Senior Research Curator for European Art, focused on one of the four components of the exhibition, “A City That Lives on Water,” which I thought was a nice connection to New Orleans (though you will find there are others in this amazing collection).

Schmid discusses some of the examples that fit into the water theme, although one image that particularly resonates with her — “The Redentore Procession,” oil on canvas, by Joseph Heintz, The Younger — is elsewhere in the exhibition. (It is an amazing piece; check it out in the gallery above.)

I will have more both on the exhibition (which opens Friday and runs through May 21), and will welcome Schmid as a guest on the next episode of “PopSmart NOLA” on Saturday (3 p.m.-4 p.m.) on WHIV (102.3 FM). You also can read an essay by Schmid about the exhibition in the the NOMA Arts Quarterly publication.

The exhibition is guest-curated by the former director of the Civic Museums of Venice, Giandomenico Romanelli. Check out the array of programming planned, including lectures, films and festivities, around the exhibition.

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