Music lovers might have missed out on OperaCréole’s performance at the Rayne Memorial United Methodist Church on Sunday (Sept. 25) for the “Concert Across America,” co-sponsored with Ashé Cultural Arts Center, and part of a nationwide musical response to gun violence at more than 200 venues.
OperaCréole is a beautiful group to witness as it covers classical music across the African Diaspora, so it’s sometimes puzzling to see what at least feels like a lack of greater popularity in the New Orleans area. (I first saw, and wrote about, them at the 2015 New Orleans Jazz Fest, and with better photos.) But Sunday was a delight, if a somber one, given the tone of the evening as leader Givonna Joseph rooted the music in our nation’s long history with gun violence — stretching all the way back to the beginnings of slavery.
The performance was broken down into four major themes:“Mourning Our Ancestors: Africa to Reconstruction,” “Freedom Fighters,” “For Our Children” and“Change for the Future.” Working in collaboration with the Rayne Memorial United Methodist Church’s Chanel Choir, OperaCréole provided a space for each of its members to shine. OperaCréole opened with a beautiful team effort on “Great Creator” from Samuel Coleridge Taylor’s long-lost work, “Thelma” (rediscovered in 2012, a century after its debut), and then deftly blended “My Country ‘Tis of Thee” with the spiritual “Nobody Knows the Trouble I’ve Seen.”
Tenor Prentiss Mouton delivered a stirring version of Hall Johnson’s “Po’ Moner Got a Home At Last” (with accompaniment by pianist Marcus St. Julien). Bass-baritone Ivan Griffin dug deep on his take on Glenn Burleigh’s traditional “Go Down Moses.” Soprano Kenya Lawrence Jackson wished a sweet “Prayer” from Langston Hughes by way of Ricky Ian Gordon. Mezzo-soprano Aria Mason (Joseph’s daughter) had to literally compose herself for her personal tribute to a former student, George Carter III, a local third-grader, who later became a victim a gun violence as a teen, with her “Being Good” from “Hallelujah, Baby!”
Kathleen Halm paid lovely tribute to Verdi’s “Requiem” (1st movement) and then joined OperaCréole on Moses Hogan’s “Walk Together Children.” Everyone chimed in on the finale, “Let There Be Peace on Earth,” with members hoisting signs marking the cities that have experienced the most recent tragedies of gun violence. While the program encouraged the audience to contact legislators and community advocates to speak out against gun violence, the song was an apt coda on peace: Let it begin with me.
Thank you! and may God continue to fill you up with His goodness!!!
Always tough competition when it’s anytime past Labor Day, LOL. Busy, busy season. Can’t wait to see the new Smithsonian museum! Booked through November. Amazing. And I really cannot wait for “La Flamenca”!
I will add…We had tough competition yesterday!
Musicians and historians who normally attend our concerts and opera productions were in D.C. for a full weekend of events around the opening of the Smuthsonian African American Museum. Then there were festivals too.
The community really came together for us in our crowd funding campaign, and because if that we look forward to our production of La Flamenca in December!