Earlier in the month we reviewed the year 2016 in New Orleans culture, providing a carefully curated set of the top stories as reported by local media (including PopSmart NOLA).
To advance the discussion, I welcomed theater critics Brad Rhines (New Orleans Advocate) and Ted Mahne (NOLA.com | The Times-Picayune) and veteran New Orleans music journalist Alison Fensterstock to go over their own top stories in theater and music on the radio show “PopSmart NOLA” — our first pre-recorded show, to air on WHIV (102.3 FM) from 3 p.m.-4 p.m. You also can listen online at whivfm.org. (Note: This episode originally was to air last week but had to be moved to this week due to scheduling and production issues.)
Here’s how I set up the year in review back on Dec. 20:
As New Orleans continued to shift into what could be called a “post-post-Katrina” period — that is, moving past the 10-year commemoration of the devastation, or recovery mode — evidence of a new New Orleans culture continued to reverberate all over. Sometimes we see that reflected in trends identified in other cities, like a more diverse (and ever-shifting) restaurant scene, or (more dramatically) the legalization and hopeful regulation of short-term rentals. Then there was, for a variety of reasons, a shrinking of the Hollywood South imprint and its seeming rejection of a film industry in the state. Yet there continued the boundless proliferation of festivals as New Orleans continued to almost manically celebrate itself. To be sure, the changing face of the city’s culture remained ever changing. There are those who believe that, with so many of these changes, New Orleans’ unique and often quirky culture might be threatened — that the reasons that make the city so special and so inviting to the rest of the world are shrinking like the Louisiana coastline. But 2016 also represented a year of amazing and exciting moments that reconfirmed a city’s passion for its cultural life — even when commemorating the lives of famous cultural figures not from New Orleans. Last week I posted an overview of many of these moments, a carefully curated round-up of stories pulled from several local media outlets (including PopSmart NOLA), as well as national outlets where appropriate. The year is broken down into categories, with a subjectively chosen lead story followed by links to lots of others.
In this episode I’ll go back over the year-in-review post, highlighting the top stories, and then I’ll bring on:
- Brad Rhines, a freelance arts and culture writer. Brad regularly contributes theater coverage and criticism to The New Orleans Advocate. When he’s not at the theater he’s probably spending time with his family at one the city’s various parks, museums, or music festivals.
- Ted Mahne. A New Orleans journalist for more than 30 years, Ted Mahne has spent a lifetime as a devoted theater-goer. He has covered the local theater and arts scene for more than 20 years, now serving as a freelance writer and chief theater critic for The Times-Picayune and NOLA.com. When not in a seat on the aisle, Ted can be found teaching sophomores at Jesuit High School.
- We’ll also chat with veteran music journalist Alison Fensterstock, with whom I’ve worked at three different media outlets — Gambit, NOLA.com | The Times-Picayune and the New Orleans Advocate. Alison also has been published in several national media outlets, including NPR (where she posted a relevant piece on the David Bowie memorial parade) and Pitchfork. Alison was one of the first New Orleans journalists to cover the city’s emerging bounce scene in general and the breakout career of Big Freedia in particular — a story that became even more intriguing in 2016.
I also want to remind you that if you like what you’re hearing on this, the radio show version of “PopSmart NOLA” you can “like” PopSmart NOLA on Facebook. We’re also on Instagram at @popsmartnola, and I’m on Twitter as @dlsnola504.
Happy New Year, y’all!
(P.S. Big thanks to Le Petit Theatre du Vieux Carré for collaborating with us on our special ticket giveaway for Friday’s Sweet Crude concert, and congratulations to the winner, Stephen Schaefer!)