“DIE DIE BIRDIE”
WHAT: Rivertown Theaters diverges for a zombie-fied version of the classic Broadway musical “Bye Bye Birdie.” Gary Rucker directs Trevor Brown, Bryce Slocumb, Abby Botnick, Kyle Daigrepont, Helen Blanke and Haley Nicole Taylor
WHEN: Fri.-Sat. (May 26-27), 8 p.m.; Sun. (May 28), 2 p.m.
WHERE: Rivertown Theaters for the Performing Arts, 325 Minor St., Kenner
MORE INFO: Visit the Rivertown Theaters website
One of the things that makes productions at Rivertown Theaters for the Performing Arts so compelling to watch is how they bring fresh ideas to classic works. But with “Bye Bye Birdie,” they are going the extra mile. In what might qualify as the ultimate example of lagniappe, director Gary Rucker is presenting a bonus weekend of performances with the show reconfigured as a zombie story, “Die Die Birdie.” Here he delivers his Top 5 zombie stories of all time, prefaced with one of the funnier artist statements I have seen.
In the early 2000s, over way too many beers, some friends and I got on the subject of how terrible puberty was for each one of us. My own experience was horrifying — bad skin, crackly voice, gangly limbs, hungry all the time, listless … it was terrible. I brought up the fact that hitting puberty was a lot like turning into a zombie. We all ran with that premise for a bit, eventually said our goodbyes and headed our separate ways. Not long after that, I happen to be listening to some random show tunes and “Bye Bye Birdie” came on, specifically the song “Put on a Happy Face.” I imagined how funny it would be if the little girls Albert was so desperately trying to cheer up were actually zombies but he had no idea. This tickled me to no end. It suddenly occurred to me that “Bye Bye Birdie” would actually make a pretty terrific zombie story. The themes are already pretty much laid out in the original text, and even the lyrics of the songs fit the new interpretation perfectly. It became my mission.
Over the next 17 or so years, I tried to figure out any way I could to present “Bye Bye Birdie” as a zombie musical. The key would be to stay true to the original work without changing a single word of dialogue or lyric. I would direct the show traditionally, and then convert the exact same production into a vehicle for a zombie apocalypse. Same cast, same technical elements … same story. Only now, there’s a new threat.
The problem was always the cost and risk of mounting such a wacky concept. Luckily, I found a loophole. Since my partner Kelly and I are now in charge of The Rivertown Theaters in Kenner, it was a no-brainer (pun) to present the traditional version of “Bye Bye Birdie” as part of our main stage season, and since the show would already be paid for, there would be very little risk in running it for one weekend with some zombie visitors. I told my son all about this on a car trip and he said, “You should call it “Die Die Birdie.”
Yes I should, son. Yes I should.
“So how do you add zombies to Birdie? Is everyone just dead now?”
[Learn more: Ted Mahne reviews “Bye Bye Birdie”]
That’s the question I get the most … and without ruining the surprise of the show … no, not at all. There’s a whole through line and rules just like in any regular zombie movie. They arrive, they kill some people, they’re dealt with. I really wish I could say more without giving too much away but I will say that my dream of watching Albert try to cheer up two dead girls has come true. And it’s as funny as I thought it was. Please come see it. I’ll even throw in a discount code! At checkout use the code word “ZOMBIE” for $15 tickets. I promise it’s worth every penny.
OK, so now onto the point of this whole thing: my top five zombie movies! These aren’t the most traditional choices but each movie has inspired me in directing “Die Die Birdie” in some way. There are even a few “Easter eggs” in the show … see if you can spot them.
“SHAUN OF THE DEAD” — Not only my favorite zombie movie, but also one of my all-time favorite movies. It’s the most like what I’m trying to present. I love how Edgar Wright shot a scene as a normal, ordinary day and then shot basically the same exact scene after the zombies had arrived. It completely encouraged me in trying to tell Birdie two different ways. It’s chock full of its own set of Easter eggs as well. This one is paid a pretty big homage in “Die Die Birdie.” Also it kicked off the Cornetto Trilogy, and any time Edgar Wright, Simon Pegg and Nick Frost get together you know good things are bound to happen. Also, the only zombie movie to say zombie!
“WARM BODIES” — “Romeo and Juliet” told as a zombie love story. I was prepared to hate this movie, as I was dragged to it, but I ultimately really loved it. I had no idea it was based on “Romeo and Juliet” when I went in, and although the characters are clearly named R, Julie, Nora (Nurse), Perry (Paris), M (Mercutio), it took me about half the movie to put it together. Nicholas Hoult is particularly good in this. Also, the dialogue between the zombies is particularly funny.
“ZOMBIELAND” — “Holy crap, the zombies are running!” It’s a great, well-told and well-directed adventure movie that is touching and very funny. And with a fantastic cameo! **NO SPOILERS** Also, this is the movie that really kicked off Jesse Eisenberg’s career and he’s just great in it. Woody Harrelson is at his most Woody Harrelson, and his character’s quest for Twinkies is gold. My favorite part of the movie is the Zombie Tips that Jesse Eisenberg’s character explains to us throughout the movie. My favorite is Rule No. 1: Cardio. I wouldn’t need any other rules. I’d be dead instantly.
“THE WALKING DEAD” (THE BOOK) — I know books don’t really count but it’s probably the best ongoing zombie story ever told. The TV show gets it right once in a while when it STICKS TO THE SOURCE MATERIAL, but nothing compares to the graphic novels. I’ve been emotionally devastated by these books … I’ve felt betrayed and heartbroken, and once actually had to put the book down and walk away because I was so upset by something that had just happened. After all this time, it still hooks me.
“DAWN OF THE DEAD” — Because George A. Romero is the master of this genre. And it premiered on my birthday, but that is literally the only reason I picked this title over any of the others. Every one of his movies is a masterpiece in zombie horror. If you want to be really scared, these are the movies for you. The zombies are terrifying … they look angry and desperate, and even though the style of the acting is a little over the top, those zombies are committed to their performances. It’s a movie very much of its time, but man is it intense.