WHAT: Release party for “Hey, It’s Bob,” Bob Murrell’s new comedy album, which combines musical theater and stand-up comedy to delve into his transformation from an awkward kid to an awkward man.
WHEN: Friday, April 20 (album release); Saturday, April 21, 8 p.m. (album-release party)
WHERE: Hi-Ho Lounge (2239 St. Claude Avenue)
TICKETS: Free admission to the party
MORE INFO: Visit Bob Murrell’s website
WHAT: “Little Shop of Horrors”; directed by Gary Rucker; starring Bob Murrell, Sara Ebert, Earl Scioneaux, Bryce Slocumb, Christina Early, Nachelle Scott, Drew Johnson, and Bryan Williams and Scott Sauber as Audrey II
WHEN: May 4-May 20
WHERE: Rivertown Theater of the Performing Arts (325 Minor St., Kenner)
MORE INFO: Visit Rivertown Theaters’ tickets page
New Orleans performer Bob Murrell is a busy fellow, but finds himself maximizing all of his formidable skills over the next month with the release of his comedy album, “Hey, It’s Bob,” recorded at Rivertown Theaters, as well as the Rivertown Theaters’ mounting of the classic musical “Little Shop of Horrors.” For his “Artist Statement,” Murrell explains the challenges of putting all of his talent together to make it work onstage — regardless of the stage.
I’m getting my things together after a rehearsal for an upcoming production of “Little Shop of Horrors.” The director is giving me some notes and tells me, “Don’t worry about accents or impressions; just be yourself. We need Seymour to be this shy, awkward guy.” I always knew I was shy and awkward, but I never thought that those personality traits would be sought after for a leading man in a musical. Instead, I always figured it was something to make fun of, which is why stand-up comedy has been the perfect place for me to laugh at my insecurities.
Musical theater is hard. It requires you to act, sing on pitch and, on occasion, dance some assigned choreography. I always felt a little out of place sharing the stage with amazingly talented artists who are way better at all of those things than me. However, I’ve been fortunate enough to have been given opportunities to be silly on stage in costumes with amazing people, just singing my face off and dancing my butt off.
Stand-up comedy is hard. It requires you to continuously write, adapt to a crowd of strangers, and being put under constant criticism for your material being considered “funny” by people’s individual tastes. I always felt a little out of place doing shows with confident comedians who can talk about anything, sometimes without even writing down what they’re saying. However, I’ve been fortunate enough to have been given opportunities to be silly on stage at casinos, coffee houses, bars, backyards, and basements around the country, just making fun of how dumb and awkward I am sometimes.
Stand-up and musical theater have been this competing duality in my life since 2009. On the one hand, New Orleans has a thriving local comedy scene, with opportunities to perform stand-up every day of the week. On the other hand, New Orleans has a great local theater scene, with opportunities to perform interesting theater in cool spaces like art galleries, historic homes or beautiful proscenium theaters. The problem? Doing a play or musical means sacrificing nearly two months of gigs during the week to rehearse your shows. This is the part where someone would post the GIF of the little girl from the taco shell commercial saying, “Why not both?”
I had a few comedy song ideas spoofing specific genres — bounce, hip-hop, country, rock, even kid-pop. The problem was trying to incorporate it with my stand-up material, because there wasn’t any cohesive thread or narrative. Then it clicked after seeing a musical with my wife — write it like a musical, ya jackass. Musicals aren’t just about the music or choreography. It’s about having the songs advance the character development — the character has so much to say that they can’t even say it; they sing it. What was missing wasn’t the thread; it was the character development (and a lack of ability to actually compose music). I started piecing together all these jokes that I’ve written and performed over the years and realizing I was telling the story of me (how conceited!), specifically about how awkward and dumb I am, combined with these songs that elevate the absurdity of white appropriation or telling your friends to “drive safe” after drinking at bars.
I didn’t know what journey I was going to go on nearly a decade ago when I started dating my wife, who suggested I try doing stand-up or audition with her for “Damn Yankees.” Perhaps embracing the man that she fell in love with is how you make great comedy and theater — just be yourself.
They need you to be this shy, awkward guy.