I’m on the train back to Manhattan after teaching a workshop at the Muse in Brooklyn this morning, because I am a genius and figured it would be totally fine to teach this morning after doing the competition last night. I’m … awfully tired.
Last night’s competition went well, I felt. There were minor technical difficulties, which cannot be avoided in those kind of “one-off” show scenarios, but I felt like overall, I made a good impression. I performed in the New and Innovative Apparatus division. The act that I presented is “Parapluie,” on my aerial umbrella. I made the act in 2010, and have left it largely untouched for the last three years or so. I submitted a video of me performing it six years ago to U.S. Aerial in a whim.
I love creating circus acts that transform the mundane into something magical. “Parapluie” was inspired by a simple mental image of a girl standing under her umbrella. She became, in my mind, a Parisienne showgirl after a show, waiting in front of the theatre in the rain, an aesthetic informed by the music I’d chosen, Erik Satie’s Gnosienne No. 1. The act is the reverie she experiences while waiting.
The winners were announced in the women’s lyra and men’s silk divisions. Darya Vintilova (@charu_lova), the winner of the women’s lyra title, did a gorgeous, nuanced performance as a broken doll character to some great, spazzy breakbeats. Very mod. Very contemporary. I pinned her as the winner before I’d even seen the rest of the girls compete. Darya is from a circus family, and began performing contortion with her parents in Cirque du Soliel’s show Saltimbanco when she was just 4 years old. She also toured with Cirque in Kooza, and has already won a gold medal at Cirque de Demain, the world’s most prestigious circus competition. She is polished and perfect.
Brandon Hansen (@brandonscottacrobat) won the men’s silk title. Brandon is an incredibly strong performer. His physical strength and control are near perfect. He is very young, and his relative naïveté works in his favor. His face conveys everything. He is open to the audience when he is performing in a way that is not easy to fake. His authenticity shines onstage. He connects. It’s delicate and lovely to watch.
I also very much enjoyed Troy (@troydaboy1) Lingelbach’s silks piece as Hedwig to “Origin of Love.” His skills are over the top crazy difficult. His contortion is on point, and he’s just, for lack of a better term, a fucking baller. His character choices, his tricks, all of it was top notch. I loved it. There are two more nights of competition.
The awards in my division won’t be announced until Sunday. So now, I wait. This championship is fierce. I am energized and inspired by what I’m seeing here, and by the fantastic artists around me. I hope to make good connections and bring some of them to New Orleans in the future.